WORK IN PROGRESS AND LEARNING TO EDIT DETAILS

During the summer my brother sent me a copy of a photograph he took several years ago while visiting me in Colorado. He asked me If I could needle felt this landscape for him. "Sure" I said, no problem. Being the detail perfectionist that I am, the more and more I looked at the photo, the more anxious I became. Why didn't he just ask me to paint a picture? I could have done that and captured many of the details. But needle felting is different. Capturing all those trees and rocks, etc, etc. is not easy with roving and a barbed needle. And I had to make it more difficult because I HAD TO CAPTURE ALL THE DETAILS OR IT WOULDN'T BE GOOD ENOUGH! So the photograph has sat on my worktable for months until a few weeks ago it dawned on my poor perfectionist self that I didn't have to capture ALL the details. I could EDIT out some things and still stay true to the beauty of the scene. This is such a hard concept for me to wrap my head around. Instead of recognizing the limitations of the medium, I would rather get down on myself and think that if I was a better needle felter I would be able to make a perfect replica of the photo. Not a good way to think. Only hurts myself and keeps me from moving forward.

 But I told myself that I should just try. Play with it. If it didn't work, I could always make up some story about why it couldn't be done. I could also, do a sample, see how it went, maybe do another and another. Just play and see what happens. And slowly but surely, I began to edit out unnecessary parts and came up with this.

 Here's a closeup.

I'm happy with it so far. I am resisting going back and adding more details. Keep telling myself to just let it be what it is.
Moral of this story:  IN LIFE AND IN ART, EDIT OUT UNNECESSARY DETAILS AND FOCUS ON WHAT IS REALLY IMPORTANT.