HOW I SPENT MY SUMMER VACATION

Last Thursday I gave a presentation to my local fiber art group entitled "HOW I SPENT MY SUMMER VACATION". It was an overview of everything I learned over the summer about eco-printing and dyeing. It was great fun telling the story of how I became interested in this process and showing  the fruits of my labor. It was a summer full of adventure and experimentation that resulted in a pile of beautiful fabrics that I hope to have fun using this Winter. Below are my eco-prints using crabapple, rose, aspen, cottonwood, eucalyptus and maple leaves.

 Here are my dyed fabrics. I used turmeric, aspen leaves, cottonwood leaves, blueberries, red cabbage, onion skins, pomegranates and beets.

This is my favorite piece--raw silk with rusted wire, seeded eucalyptus and spiral eucalyptus. Looking forward to lots of sewing this Winter and also more printing and dyeing next Spring. Many thanks to India Flint, Jenny Dean and Sasha Duerr for all their expertise.

SEARCHING FOR GREEN

You would think that green would be an easy color to obtain when using green leaves for your dye. Not so; I've spent many days experiementing with green aspen leaves, carrot tops, yarrow and others. And the closest I've come has been this yellow, slightly green shade.

 I guess I should mention that I have obtained some lovely green when doing an eco print of a leaf. I guess because the dye is directly transferred in a concentrated manner to the fabric. When suspended in water you get a more diluted effect. The following picture shows yellow cottonwood and aspen leaves bundled and tied and steeped in a carrot top bath. Kind of the same yellow green.

 In another dyeing session I made a bath of yellow and red onions and got a golden brown. On a whim I decided to add a little alum and it turned a dark brown. Didn't like that so why not add some vinegar. It went back to a more dijon mustard color. So I steeped some habotai that was tyed with rubber bands for a couple of hours and left it to dry overnight. And the result was the greenest I have yet to get. I wasn't trying for green. I wanted a more golden color.  So the moral of this story is to quit trying so hard and be happy with whatever magic happens. I truly love all of the colors that I have obtained, so in the end it really doesn't matter.

 The next few phots are of  random pieces. First is a cold bundle of lavender sweet peas, yellow and red nastursiums, pink petunias and parsley. Didn't get any of the flower colors but I did get this lovely mottled effect that I may go on to try some eco prints on. Trying to build layers of depth here.

 This one is gambel oak. Didn't get any prints just this brown mottling.

 Another oak bath piece tied and steep for two hours and then left for a week.

 On to color---The following are all silk (habotai or dupioni) soaked in a cold blueberry bath. First one I added vineger, last two I added alum.

That's all for now.

MORE ECO DYEING

Eco dyeing has sure made me a lot more observant of the plants in my neighborhood. Reading through India Flint's book, Eco-Colour, I have learned that a lot of the plants she uses for dyeing and prints just aren't plants that one can find here in Colorado. Eucalyptus, for example, sure won't find that here. But it gives such a lovely orange-red color. Never fear, it's a favorite of florist so I went out and bought a bunch, came home and started a hot bundle using a piece of ivory colored silk. I probably did not steam it long enough, but I did get some lovely red prints.

 Kind of like the green ones too, but wish I would have left it to steam longer so I would have gotten more of the red color.

 For this print I used a scrap of habotai silk that I had dyed in onion skins many years ago. It was just a very pale yellow to start with. I bundled up aspen leaves (most plentiful in Colorado) and some small red leaves from a bush outside my house. Wish I knew what the name of the plant is, but it yielded a lovely red color. Aspen prints are very pale but did provide some green.

This next piece is my favorite. Started with another piece of the onion skin dyed habotai silk and this time wrapped some lavender sweet peas in it. This was a cold bundle. Didn't get any of the lavender color, which I have gotten in the past, but I love the lovely greens and khaki colors. And most of all I love all the wrinkles in the fabric and the striations from the rubber bands. I think I will leave it as is, not press out the wrinkles, and use it for texture in a landscape piece.

Looking forward to the fall when the aspens, oaks and maples start turning colors. I'm sure they will yield some rich color for my dye pot.

IN BETWEEN ECO DYEING...

While waiting for eco bundles to do their magic I have been doing a bit of primitive stitching. Meet Mimi and Pearl. Two little girls from the past who have a lot to say. More to come.

Eco Printing and Dyeing

First attempts at eco dyeing and printing. All ideas were taken from India Flint's wonderful book, Eco Colour. For all of you who are not into chemicals this is a wonderful book to have. This is stress free dyeing because you don't have to worry about what you are touching or inhaling. My kind of fun.

 Silk dyed with aspen leaves. Stayed a lovely pale yellow for a week and then the browns starting migrating in.

 Maple leaf prints on silk.

Yellow onion skin prints on an old ivory colored silk shirt that I ripped apart. I knew I was saving that shirt for something.

 More onion skins prints.

 Aspen leaves on silk.

 More aspen leaves.

 Cottonwood prints on silk. Folded the fabric in half over the leaf before rolling into a bundle. One side printed better than the other.

Close up of cottonwood print.

TUESDAY TEXTURE--NATURE'S BEAUTIFUL TEXTURES

There is nothing more beautiful than the textures nature provides us with. These photos were taken on a recent hike in the White River National Forest outside of Aspen,Colorado. I'm in love with mushrooms.  Delicate Mariposa lily

 Lichens and moss on bark

Years of growth

 Love the color of this mushroom

And these little puff balls with prickly surface

BLOOM

"...it is necessary
to reteach a thing its lovliness,
to put a hand on its brow
of the flower
and retell it in words and in touch
it is lovely
until it flowers again from within, of self-blessing."

Galway Kinnell