10 THINGS I LEARNED IN THE COTH TO CLOTH WORKSHOP

1. Everything old is new again. Old fabric, old clothes, old linens and lace. Old cloth to new cloth.

2. Look below the surface. You never know what you'll find.

 3. I've always loved handstitching--now more than ever.

4. Never throw away your scraps.
5. Slow down; enjoy the process; accept where you are in the process.
6. Cloth has a story to tell.
7. Listen to the cloth. It will tell you what to do next.
8. All learning should include some fun along the way.

 9. Jude Hill is a great teacher.
10. The end is just the beginning.

TUESDAY TEXTURE SHOT--LEAVES

Go kick up some leaves.               

TUESDAY TEXTURE SHOT--LAST PORTULACAS OF THE SEASON

When I was a little girl I loved to go to my grandmother's house and play in her backyard. It wasn't much of a yard. More of a cement slab, no grass,  but flower beds around the perimeter and lots of pots of flowers. I vividly remember coming out of her back door and seeing a large white enamel dishpan with red trim filled with portulacas. Today these are still one of my favorite flowers. I think it is because of the variety of colors they come in and because of the sweetness of the flowers. They are precious little  rose- like flowers that bloom all summer long in hot dry climates.  When I moved to Colorado I started planting  them every summer in honor of my grandmother. I was lucky enough to find a dishpan just like my grandmother's tucked away in a cabinet of our mountain cabin. When my husband and I bought the cabin, the contents came with the structure. Most of it was junk which we promptly got rid of. But when I came across the dishpan I was so happy you would have thought I had discovered gold in them there hills. But this lowly dishpan has become one of my most treasured items because of the joy it brings me when I plant portulacas for my grandmother, and the fond memories it brings back of being in her yard on a hot, sultry New Orleans summer day

The flowers are sweet and silky. But the sprawling stems are succulent with cylindrical leaves that provide beautiful TEXTURE in the garden. Tonight will be our first freeze so I took these photographs to put in my journal.  So when I'm knee deep in snow this winter, I'll have a picture to remind me of one of summer's great pleasures.

TUESDAY TEXTURE SHOT

Can you guess what this is? Check out all the hills and valleys, the striations, the little pricklies in the dark green. It's the stem from one of the blue hubbard squash in my garden. I love squash stems for their fabulous texture. I love  how the knubby browns are interrupted by the smooth green stritations. I think I'll try to carve a stamp to replicate this. What textures in nature do you like?

"There is something magical in seeing what you can do, what TEXTURE and tone and colour you can produce merely with a pen point and a bottle of ink."
                                                                     Ida Rentoul Outhwaite

CLOTH TO CLOTH WORKSHOP CONTINUES

The Cloth to Cloth workshop continues. I've had a cold all week (my annual back to school cold--my kids go to school, bring home a cold and give it to me), and I haven't had much energy for anything other than keeping up with the lessons.  The first 3 pictures are small anchored weavings I plan on adding to larger pieces. They measure about 2 1/2 to 3 1/2 inches. The last two photos are from this week's lesson on  double weavings. Five layers of fabric are used which allows you to cut into the layers to reveal what is below. This allows for all kinds of options--highlighting special fabrics, creating windows to reveal  treasures, making weaves within weaves, and on and on. Lots of possibilities. We have also been exploring stitches for securing ragged edges. Next week we work on embellishment. Can't wait for that.

PLEASE EXCUSE THE LOOKS OF THIS POST. BLOGGER HAS CHANGED IT'S FORMAT AND I HAVEN'T THE ENERGY TO FIGURE IT ALL OUT AND MAKE THINGS LOOK GOOD.

CLOTH TO CLOTH CLASS--LESSON TWO

Lesson 2 of the Cloth to Cloth class involves creating an anchored weaving. Three methods were given and I choice to focus on the third one in which you cut slits into the base fabric to form the strips that you can then weave into.  Very simple and eliminates one layer of fabric. So this first photo has been titled "WHAT THE HELL WAS I THINKING!!!!!!!!!!!!!!!!!!!!!!!!!!!"  We have here GAREEEEEEEEEEEEEEEN!!!!!!!, gold and rust.  I had this idea of summer transitioning into autumn. Only thing, nature isn't quite so garish.

So after I picked myself up off the floor from rolling around in laughter, I decided that I liked the rust colored fabric which is an old silk scarf that I painted awhile back. I didn't like the way it turned out, so I repainted it with setacolor paints and did some sunprinting with maple leaves. This fabric led to the tan fabric I had rusted last year and the fabric with the writing on it which is a  cotton with the words of a Mary Oliver poem, The Journey, handwritten on it. I colored it with burnt umber and indigo blue watercolor paints which then led to the dark blue leaf print and trim.

Here's what I ended up with.  I kind of forgot the part of the lesson about using a fairly sturdy fabric for the base. The rust colored fabric is a habotai silk which is very flimsy, but with some TLC I was able to work with it. I know I am jumping ahead with embellishment, but I so rarely have an opportunity to follow through on all the ideas rolling around in my head, I just decided to go with it.

And here is the Mary Oliver poem.

The Journey

One day you finally knew

what you had to do, and began,

though the voices around you

kept shouting

their bad advice--

though the whole house

began to tremble

and you felt the old tug

at your ancles,

"Mend my life!"

each voice cried.

But you didn't stop.

You knew what you had to do,

though the wind pried

with its stiff fingers

at the very foundations,

though their melancholy

was terrible.

It was already late

enough, and a wild night,

and the road full of fallen

branches and stones.

But little by little,

as you left their voices behind,

the stars began to burn

through the sheets of clouds,

and there was a new voice

which you slowly

recognized as your own,

that kept you company

as you strode deeper and deeper

into the world,

determined to do

the only thing you could do--

determined to save

the only life you could save.

OLD STRIPS, NEW FUN

Of all the quilts I have ever made, this is my favorite which I made in 2000. I used over 100 different fabrics, which is the way I do quilts. I can't stand piecing the same fabrics over and over again. I love the fact that I took the time to hand quilt it even though I was in the middle of being a mom. This was the quilt my kids went to when they wanted to snuggle and read.

I have piles of strips leftover and have waited for the perfect project to use some of them. A few weeks ago I found it when I signed up for Jude Hill's Cloth to Cloth online class. http://spiritcloth.typepad.com. We started this week and what what fun it has been. There are a huge number of participants and the pictures and comments posted so far have been wonderful. Our first exercise was to do some cloth weaving which is now my new addiction. I'm showing my first two below. I've already got an idea on the applique and embroidery I want to do on the surface, but I'm going to wait until we get a little further along in the class in case I change my mind.

Jude has a wonderful blog so even if you can't take the class (I don't know if it is full or not), you'll be able to see her beautiful work. She's a hand stitcher and that is why I love her art so much. She also has an article in the current Quiilting Arts magazine which you can also check out.

I"ll be posting more pictures as the class goes on.